It’s partly just co-incidence but I have seen a few skulls lately. Let me be quick to reassure you…not real ones! Artistic ones.
Firstly I was at Victoria’s premier gallery, the NGV, to participate in a drawing session. More of that another time. Towards the end of the session I wandered into the next room where enormous skulls were heaped up. Ron Mueck has created 100 large scale sculptures of the human skull.
The Gallery’s brochure says:
…the work can be read as a study of mortality, recalling the Paris catacombs as well as the mass graves resulting from human atrocities in Cambodia, Rwanda, Srebrenica and Iraq.
They are part of the Gallery’s Triennial exhibition, a truely amazing experience. And a very successful one. The Gallery has been packed with people all the holidays.
My second experience with skulls was at the Art Gallery of Ballarat, another of Victoria’s top galleries. I was up there to have the meeting about our exhibition, “Beckler’s Botanical Bounty: The flora of Menindee” opening late February until late May (shameless plug!). After the meeting I went into “Romancing the Skull”. No prizes for guessing it was an exhibition devoted to skulls in art.
The exhibition explores a range of themes including the skull as a reminder of our mortality, the use of the skull in addressing social and political issues, and the skull and crossbones as a symbol of piracy and rebellion.
If you are quick, you can see the exhibition before it closes on this Sunday 28th.
The variety of pieces was astonishing. I now have a little understanding of the what it takes to put on an exhibition, and I am flabbergasted at the work that must have gone on to pull all these works into one coherent display. These were some of my favourites….
Sam Jinks: Divide (Self-portrait)
I am not sure who created these glass coffins, but my friend Mali Moir and John Pastoriza Pinol created the beautiful, botanic skulls below by painting on vellum. (They are sitting in glass domes.)
And Louise Saxon’s amazing work, Vanitas #2 ~ The Twitcher. I have written before about another exhibition of her work. She constructs her pieces from textiles and pins them into place.
And lastly, the one above is Dale Cox’s work Deadlock.
Well, not quite lastly, because here is one for the quilters amongst us….
It is Lucas Grogan’s The Shroud, and is, according to the wall label, a diary of his travels through Europe, inscribed with his personal impressions and experiences. Curious!
So many different ways to interpret our mortality. Thought provoking, but also beautiful works, and at times quite humorous. Would you have gone to an exhibition featuring skulls?
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On a lighter note, a reminder about my fortnightly newsletter. I have begun to send it out again this year, and the first one for 2018 had special offers only available through the newsletter. So if you would like to find out more sign up.
Anne Lawson Art 