Water ribbons #2

The second in the water ribbons series. Water ribbons are aquatic plants that appear out of the water, away from the banks.

With this one I was playing about with oil pastel and watercolour, using the oil pastel as a resist. It was fun to move the paint around over the oil pastel, even blowing through a straw. Then I cut out around the shapes to make the thre clumps.

I like the energy in this one, and I think the background adds to it. However, it is not a favourite. In fact I wasn’t going to put it into the exhibition until a friend said it worked for her. Another example of how something appeals to one person and not another.

A reminder about the exhibition:

Ascot Vale Library

Union Rd

Ascot Vale, Melbourne

From 14th July (That’s this week –very exciting!) Until 8th December.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present.

Another mangrove collage

The theme for my exhibition is habitats that lie between the land and the sea, Between Worlds. They are often habitats that have been disregarded, so drained and built over. We have come to learn, at a high cost, how precious they are.

Mangroves fit in perfectly here. They are muddy and difficult to move through, not glamorous or beautiful, but oh so important. They are natural water filters and breeding grounds for many fish species. Ecosystems are complex.

However all along the coast of Australia–and I am sure many other parts of the world–they have been seen as wasteland, land better used as marinas and development.

The aerial photo that inspired my collages was of mangroves in Westernport Bay, a RAMSAR site. Close to this precious area is a gas terminal, which wanted to expand and have more ships come though the Bay. There was a lot of opposition, which fortunately put enough pressure on the government to stop the expansion. Fortunately we still have this wonderful area for fish and birds and weedy seadragons.

The bush shapes for this collage were created with various papers — tissue paper, photocopy paper, brown paper and the paper florists wrap flowers in. I printed the colours on the gelli plate. After I torn out the shapes I layered them to add interest and extra texture. You can see some of the layers in the photo.

For the background I scraped paint over an A3 sheet of photocopy paper. Then I tore it into strips and glued them back down. I like the sense of movement it gives.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present.

SAL

I have been enjoying working on a series of works, using the same sort of stitching. This is one I am working on. I am sure the stitching will look very familiar.

Let me explain about the scraps of paper. (If you read my newsletter, you will know about this. Click here if you would like to sign up.)

My art practice has moved away from more botanic art influences, so I am rethinking my connection to those past works. At the same time I am wondering what I will be creating when I emerge from this strange time. This work in progress, and the others below, have come out of those thoughts.

I took a watercolour painting of a limpet shell and tore it up. Rather extreme, but I have also been thinking about the impermanence of things, how unfamiliar and unsettled our lives are. I selected some of the fragments and stitched them down. The couched threads go under and over the paper ~ emerging, disappearing. To create the texture I am using an open, quite random herringbone stitch.

These are the other two I have finished. One is a torn eggplant drawing. The other is another watercolour limpet shell, in blue tones. In this one I also added some material scraps ~ you can see them on the left, behind the paper fragments. They are small, so are quick to work on. At the moment it is important to not overwhelm myself.

I am part of a group of stitchers that share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen