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My art work SAL Texture

SAL

Before I show you the work done over the last three weeks, I just want to say how much I appreciate the comments you leave. Of course I get warm fuzzies when you tell me how you like what I do, but perhaps even more I appreciate the comments you leave about what you see in my work, what they remind you of, how they make you feel. That there is something in my stitching that you respond is a good feeling.

I am proud to be part of such a warm and supportive community.

So, to this time….

….another postcard. The torn up work was a watercolour tree. I tried to make the pieces more horizontal, but somehow it still has quite strong verticals!

I am working on the cross stitching, but seem to have stalled over the last week or so. I think it needs some colours that I don’t have in my thread stash. Of course, that could just be an excuse to buy some more but now that shops are open and our restrictions have eased I feel the yarns and threads are calling to me!

This Stitch-A-Long post is organised by Avis. We are a group of stitchers who post every three weeks to show what personal stitching we have done. The variety of works is amazing, and the quality is always top notch. Use the links below to see their work.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt My art work SAL

SAL

Another three weeks, another SAL, another “Postcard from liminal time”.

What a washed out photo…the backing cloth is actually a sage green, and the threads more vibrant.

As you can see I tore up a watercolour painting of a leaf. The leaf was quite curved, and I think this is why it didn’t work as a painting.

As the original painting was a single leaf I tore out around that shape, which left me with white edges around each shape. The other postcards, like this one, were larger shapes, in this case a shell, torn into smaller pieces. It wasn’t until I was into the work that the obvious white struck me. Tearing paper is always going to leave some white, but this is too much to my eye. I tried to break it up with the extra cross stitches, but I wasn’t happy with it.

So, it’s not my favourite postcard, but it taught me more about which painting to choose.

There are five in the series so far. Looking at them together for the first time I can see that they are vertical, with the exception of the eggplant, the first. Maybe the next one will be more horizontal.

This Stitch-A-Long post is organised by Avis. We are a group of stitchers who post every three weeks to show what personal stitching we have done. The variety of works is amazing, and the quality is always top notch. Use the links below to see their work.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt In My Studio My art work SAL

SAL

I have been enjoying working on a series of works, using the same sort of stitching. This is one I am working on. I am sure the stitching will look very familiar.

Let me explain about the scraps of paper. (If you read my newsletter, you will know about this. Click here if you would like to sign up.)

My art practice has moved away from more botanic art influences, so I am rethinking my connection to those past works. At the same time I am wondering what I will be creating when I emerge from this strange time. This work in progress, and the others below, have come out of those thoughts.

I took a watercolour painting of a limpet shell and tore it up. Rather extreme, but I have also been thinking about the impermanence of things, how unfamiliar and unsettled our lives are. I selected some of the fragments and stitched them down. The couched threads go under and over the paper ~ emerging, disappearing. To create the texture I am using an open, quite random herringbone stitch.

These are the other two I have finished. One is a torn eggplant drawing. The other is another watercolour limpet shell, in blue tones. In this one I also added some material scraps ~ you can see them on the left, behind the paper fragments. They are small, so are quick to work on. At the moment it is important to not overwhelm myself.

I am part of a group of stitchers that share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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Uncategorized

SAL

[Sorry this is late…I thought I had it scheduled for yesterday, but apparently I didn’t press the right buttons. 😩 ]

The last SAL was three weeks ago. I have to apologise for the skimpy post that is was. It was also the day when we Melbournians found that we were in for six weeks of strict Stage 4 restrictions. Not a good day for thinking about anything but what was ahead of us. I have written a post about it, if you would like to catch up. I won’t go into it here, because I want to concentrate on my work.

Lately I have been scraping acrylic paint onto brown paper, and then tearing it up. I found it makes the most wonderful rocks. I glued the strips onto paper, then I wondered about sewing them onto material. You can see that it works well, but but not a good as I would like. When sewing onto paper the paper moves more freely under the foot of the machine. However the material was gripped by the teeth, and only wanted to go in straight lines. I would prefer a more organic line.

Last time I showed you where I was up to ~ couching and random cross-stitching. The difference with the other piece I was working on was adding the material shapes under the embroidery.

Oh, another difference is that it is much smaller, so it is finished. Yay!

contemporary embroidery

I have pinned it onto a stretched canvas, to give a rough idea of the finished look.

I enjoyed it and am currently working on another ~ to show next time!

I am part of a group of stitchers that share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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My art work SAL

SAL ~ The Forest Regenerates

Progress! Yay! This is where I was last time

contemporary embroidery

and now I have filled in the bottom left section, turning them into trees.

A close up of where I have been working

I am not sure that the trunks are right, but they are easy to take out and restitch. I’ll evaluate them later. Sometimes it helps to just let things sit, doesn’t it?

While I have finished the canopy it is not time to do the Happy Finished Dance just yet. There is still some touching up to do.

I started at the top and gathered confidence as I worked my way down. Some of the early work needs going over and I need to work out what I am doing right at the top. Some of those darker chain stitch areas may come out. It will depend on what looks right.

So, close to being finished, but not quite yet.

These Stitch-A-Long posts are hosted by Avis, and we do them for pleasurable stitching, stitching just for ourselves. Do go and have a look at the other fabulous stitchers from around the world ~ just follow the links below. I am sure you will be amazed by their creativity. (Their posts may not be up just yet due to time differences.)

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt My art work SAL Texture

SAL #5 ~ Portsea Cliff

This is where I got to last time…

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Now I can reveal the finished work!

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As you can see I worked on the sand and cliff. I wanted the sand to be unobtrusive, so I chose to do it in a simple half stitch, which linked it into the sky. The cliff, however, needed to be more wild, to create the texture that I love.

(The yarn is another merino wool yarn from Fibreworks. This one was specially dyed for me. It is a colour that, surprisingly, occurs in Australian landscapes. It is wonderful for eucalyptus bark.)

Progress photo…

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The next stage ~ the trunk ~ was trickier, and to be honest, I am not sure it works quite as I wanted it to. I am not sure how the branches merge into the canopy. Any thoughts?

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I tried to include the background colours too. I suspect my problem is that I hadn’t thought it through ~ the original planning was incomplete. That area may well come out. However, I value your thoughts.

One of the things that I do love about this work is that it has brought be back to being creative after many months of obstacles. It has helped me realise that while I am not ready to get back to paint, pencils and paper, I am ready to solve creative problems (which I love doing!) with something that I can pick up and put down with ease.

In fact I have already begun my next SAL project. More of that next time.

There is a great group of creative stitchers involved in this SAL group, organised by Avis. Do drop into their blogs for their latest SAL posts. Prepare to be amazed!

Avis, Claire, Gun, Carole, Sue, Constanze, Christina, Kathy, Margaret, Cindy, Linda, Heidi, Jackie, Sunny,Hayley, Megan, Deborah, Mary Margaret, Renee, Jenny, Carmela, Jocelyn, Sharon, Daisy, Anne, Connie