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AnneLawsonArt My art work Texture

Let’s catch up

Yes, it has been a while (aside from a couple of days ago 😉 ). It would have been easy to let blogging slide, but I don’t want that. I love writing. Equally I love all of you, my online tribe, and I miss chatting to you.

When I last wrote I had grand plans for sewing each day and blogging each week, which I managed for a couple of weeks. The last couple of months have been rather strange, with some challenges I have had to work my way through. I am content with where I am now, and hope to be a regular writer….but we will see.

What’s helped me gat back on track?

Maybe it’s getting the right medication at the right doses. It has taken a while to get the dosage right for the Fella’s heart issues. It seems to be at the right level now. I have been changing and adjusting the medication I take for my polymyalgia rheumatica. Like many autoimmune conditions, one of the debilitating effects is fatigue. There was a period where I just couldn’t be bothered. Now I am full of beans and want to be active.

Maybe it’s trying to be more mindful, more in the present. When things are challenging it is so easy to slip into a mindset that looks for dangers, to anticipate what might go wrong, to imagine about worst case scenarios.

A little of that helps me see problems that might arise and to make plans. Too much makes me hyper-vigilant. I am trying to do the things that are good for me ~ taking time to be in the present, where nothing needs to be done, just be; to breath deeply; to engage my brain and notice things; to walk; drink more water; eat more vegetables. To create. To blog and connect with friends.

Maybe it is having had Covid, which happened a few weeks ago. I was lucky, only having a mild illness. I caught it from my mother, who also came through it okay. Amazingly the Fella didn’t get it, despite also being with my mother and then not being able to isolate from each other at home. I know the pandemic is not over; I know that I can get it again and that the Fella can get it; I know that it may be worse next time. However I also know that I can cope. It’s time to emerge, sensibly.

Maybe it is the improvement in the weather. Today is a beautiful day. The sort of day where everyone you meet says “I hope you can get to enjoy some of this beautiful sunshine today.” You can feel Spring on its way.

Maybe it is that my AFL team, Collingwood, is doing remarkably well. 11 wins in a row and 2nd on the ladder. (I am a very fair-weather supporter, and only get up and about when they are doing well!)

And maybe it is all these things coming together. The challenges are not over, but I have learnt that I have all I need within me to meet them. That’s a powerful feeling.

Now on to my creative work….

I finished the map of the Maribyrnong River that I was working on last time we met.

I am still thinking of stitching maps, and last week worked on this one of the wetlands near me. The first photo is when I thought it was finished, the second when it was actually finished. It needed to have more density around the edges, more reedy, soggy vegetation.

The tangled, tufty stitch is velvet stitch, which I learnt from my stitching wheel sampler. I like the 3D effect it gives to the work. And a close up:

I am going to do a companion to this one, and maybe more ~ I do like working a series. It’s finding the time to set it up, because caring for someone is very time consuming and what time is left is easy to fritter away. At least now I can be bothered.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present. The land I show in these embroidered maps was, and always will be Aboriginal land.

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My art work

Sewing #3

I wasn’t able to sew every day this week, but I have made good progress.

I am working on the left bank of the river. I could have just continued on with the running stitches, French knots and layering organza used on the other side. However, the piece needed more drama, and some contrast would help.

So I tore some shapes from the street directory, not any of the suburbs next to the Maribyrnong River, just a random page. Then I over laid the organza shapes.

That started me thinking more about the concept of the piece. I want to encourage thinking about what was here before urbanisation. Huge swaths of western Victoria was covered with grasslands and the Maribyrnong River cut through this on the eastern edge. Obviously the vegetation was also riverine, with large trees along the bank, usually river red gums.

Then came intensive urban development along areas of the river. Not all….there are large areas of parklands and sports fields and Brimbank Park further upstream from me….but not enough of wha must have been a glorious, productive place for the Wurundjeri people. Another area stopped from development is the land on which the Ordinance Factory was built in WW2. Now the developers are eying off that area.

Meanwhile, back at the embroidery. Instead of the organic lines of the right bank the left needed the straight lines of urbanisation, like streets rather than paths.

However, the thread I chose was too light and you couldn’t really see it. The yesterday I had a good session, sewing with a darker thread, which worked better.

I am careful when I sew through the thin paper of the street directory. It is so different to sewing the thick paper I used on the previous piece. Pushing the needle through that was so difficult!

This week I will add more decoration, and I think it still needs more drama. It’s nice to be back into the rhythm of regular practice, especially with the cold weather we have been having lately. Perfect for indoor activity.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present.

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My art work

Sewing #2

I had hoped to start this post with a photo of Kate from Tall Tales from Chiconia, Chippy at Life by a Compass not a Clock and me. Kate is down in Melbourne and we were to have a catch up brunch. Unfortunately the Fella was not feeling very well this morning and I had to cancel. Such a shame, but he has to take priority. (I hope Kate hasn’t been too cold. She has come down from tropical Queensland to a prolonged blast of icy air straight from the Antarctic!)

I have been sewing each day, except for Friday, when time got away from me. This post is to help me stay accountable to myself.

Sue left a comment last week asking for some more detail about the materials I am using. The base is white linen. It is actually an old tea towel from a pile given to me by a friend. The weave is rather open, but it works well.

I cut the organic green shapes from scraps of organza. In my bag making days, quite a few years ago, I was given a bag of off-cuts from a contact who made wedding dresses. I love the way the opaque nature of the material. I can add stitching underneath and it layers creates interesting effects. Scroll down to see what I am thinking of using on the other side of the river.

As for the stitching…..The banks of the river are whipped stem stitch. You can see that for the other areas I have used running stitch, French knots and seed stitch.

So to the days. (Remember, there is no obligation to leave a comment!)

And this side may be finished

And today I set up the other side of the bank, using the organza and the surprise element of torn pages from the street directory. Before I explain I will do some sewing to see if it will work.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present.

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AnneLawsonArt My art work

Sewing #1

Not a very imaginative title, not one that will make the algorithms sit up and take notice, but the best I can do at the moment.

It is #1 because I hope it to be the first of a weekly series documenting my work.

My intention is to spend time each day on my latest project. To hold me accountable I am going to document my daily progress. I was going to post every day, but realised how tedious that would be for me and for you.

So I am photographing each day, and on Sundays I will post the progress from the previous week.

I love your comments, but please, don’t feel obligated to comment on these posts. I am happy to show you what I am up to, but it is also to keep myself accountable to myself.

Now, to set the scene…..I have begun a new work that is based on the Maribyrnong River, which flows close to me. Melbourne’s main river is the Yarra; the Maribyrnong is rather a forgotten one but equally interesting and diverse. I will tell you about it some time soon.

You can see the flow of the river in this work. However, the green along the banks is my creative licence, as much of the area is built up now. I am hoping the layers of stitching show that layering of time.

Now, the eagle eyed among you will have realised that this is not a full week’s work. Yes, I fell at the first fence. I have spent the last couple of days over at my Mum’s while my brother takes some time for himself. I sewed one day, but forgot to photograph it. After I hit publish on this post, I will add some more stitches to it.


Last post I mentioned recycling my x-rays. The Elsternwick Library has a great e-waste recycling station, that took the x-rays. It is not far from Mum’s, so I had a tiny adventure to Elsternwick ~ a visit to the Library, a delicious coffee and picked up some yummy quiches for lunch.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and present.

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SAL Texture

SAL

Having finished my stitching wheel I was at a loss for what to do next. I knew I wanted to do something that used some of the stitches I had learnt. At the same time the Soul Craft Festival* began. We were offered the chance to embroider a bag.

The suggestion was to embroider plants that had special healing powers, and special memories, like lavender, thyme, echinacea. That would have been lovely, but my thoughts put the two things together. I began a square using different types of yarns.

It’s finished, but there will be more.

One of the delightful things about the Soul Craft Festival (and I describe it more below), is that Felicia and the presenters encourage me to think about my making process.

I am thinking about my need to have a finished object. I often get stuck on the questions of “What will I make it into? What will I do with it when I have finished?” The answer (“I don’t know”) often stops me from beginning. Not just sewing, but also with other art work. It’s obvious that knitting a jumper or making a dress is an end product, embroidering a square of material doesn’t. Neither does the stitching wheel.

So I am quietening that little voice that keeps asking “What will you do with this?” with a few answers. Maybe it will become a square on a tote bag, maybe it will join up with the others I am going to make. But the most satisfactory answer is “I don’t know, I am just playing, and practising stitches, and finding out which ones I like.”

Changing my thinking has also changed how I have gone about it. I did the panel in the middle with a Jacobean couching stitch (not sure if that is the right name), which ended up just too loose. (An embroidery hoop would help, but I can’t find mine, and I can’t go out and buy one.)

Out it came and I worked it in sections. It’s not fabulous, but it taught me a lot ~ and that’s the point for me at the moment.

I do like the outside edges.

I have done coral knot stitch in various threads. I have become quite a wiz at this stitch! The twisted novelty yarn is secured with couching. The wider blue band is double herringbone stitch. I like the contrast of the lighter blue, which I think works better than using the same teal colour.

This Stitch-A-Long is for embroiders to carry out their own passion projects. Each of us is doing something quite different and all are wonderful to see each three weeks. Follow the links below to find out what we are up to.

AvisClaireGunConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyMeganDeborahReneeCarmelaSharonDaisyAnneAJCathieLindaHelen


* The Soul Craft Festival is a wonderful, comforting month of talks and discussions that delve further into how making nourishes our souls.

As the organiser, Felicia, says:

It’s a festival of ideas, stories and conversations about how making elevates our lives;
how making supports us, connects us and ultimately changes us, our communities, and our cultures.

It is running over October and while it has been going for 2 weeks, the programme will be available for the next 6 months. I am assuming it is not too late to join up.


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and emerging.

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Uncategorized

SAL

Happy dance time! The Stitch Wheel Sampler that I have been working on is finished.

A shout out to Cathy Reavy, as her planning and YouTube videos of the different stitches were clear and interesting.

I added my own flourish at the end ~ a ring of coral knot stitch around the outside.

So, to give the details of the final stitches.

  1. Closed feather stitch
  2. Knotted blanket stitch/button hole stitch ~ this was my least favourite, and least successful stitch, of the whole wheel.
  3. Herringbone stitch
  4. Double herringbone stitch
  5. Quaker stitch
  6. Mountmellick stitch
  7. Portugese knotted stem stitch

What to do with it? I am leaning towards making it into a cushion, but I am yet to investigate round inserts. At the moment my mojo is elsewhere, so it may languish for a while.

As for what to do next….I am not sure. I like doing my more freeform stitching, but with the stitch wheel I enjoyed not having to think too much. Once I had watched the video my only decision was what colour to sew.

This Stitch-A-Long for embroiders to carry out their own passion projects. Each of us is doing something quite different and all are wonderful to see each three weeks. Follow the links below to find out what we are up to.

AvisClaireGunConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyMeganDeborahReneeCarmelaSharonDaisyAnneAJCathieLindaHelen


A quick update on the Grand Final of the Aussie rules footy I mentioned in my last post. The Melbourne Football Team won convincingly, although the first half was a tight tussle. I have many happy relatives, and one resigned (“Maybe it will be the Doggies’ turn next year”) partner!


I respectfully acknowledge the traditional custodians of this land on which I live – the Wurundjeri Woi-wurrung People of the Kulin Nation, their spirits, ancestors, elders and community members past and emerging.

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My art work SAL Texture

SAL

Before I show you the work done over the last three weeks, I just want to say how much I appreciate the comments you leave. Of course I get warm fuzzies when you tell me how you like what I do, but perhaps even more I appreciate the comments you leave about what you see in my work, what they remind you of, how they make you feel. That there is something in my stitching that you respond is a good feeling.

I am proud to be part of such a warm and supportive community.

So, to this time….

….another postcard. The torn up work was a watercolour tree. I tried to make the pieces more horizontal, but somehow it still has quite strong verticals!

I am working on the cross stitching, but seem to have stalled over the last week or so. I think it needs some colours that I don’t have in my thread stash. Of course, that could just be an excuse to buy some more but now that shops are open and our restrictions have eased I feel the yarns and threads are calling to me!

This Stitch-A-Long post is organised by Avis. We are a group of stitchers who post every three weeks to show what personal stitching we have done. The variety of works is amazing, and the quality is always top notch. Use the links below to see their work.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt My art work SAL

SAL

Another three weeks, another SAL, another “Postcard from liminal time”.

What a washed out photo…the backing cloth is actually a sage green, and the threads more vibrant.

As you can see I tore up a watercolour painting of a leaf. The leaf was quite curved, and I think this is why it didn’t work as a painting.

As the original painting was a single leaf I tore out around that shape, which left me with white edges around each shape. The other postcards, like this one, were larger shapes, in this case a shell, torn into smaller pieces. It wasn’t until I was into the work that the obvious white struck me. Tearing paper is always going to leave some white, but this is too much to my eye. I tried to break it up with the extra cross stitches, but I wasn’t happy with it.

So, it’s not my favourite postcard, but it taught me more about which painting to choose.

There are five in the series so far. Looking at them together for the first time I can see that they are vertical, with the exception of the eggplant, the first. Maybe the next one will be more horizontal.

This Stitch-A-Long post is organised by Avis. We are a group of stitchers who post every three weeks to show what personal stitching we have done. The variety of works is amazing, and the quality is always top notch. Use the links below to see their work.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt My art work Texture

SAL

I have finished another similar work, so these SAL posts are more about the series of them, rather than an individual piece. I seem to be able to finish them within the three weeks of SALs.

When a name for the series popped into my head it struck me that these works are becoming a serious series. So, they are part of the series…..

Postcards from Liminal Time.

(Curious about liminal time? I wrote my thoughts about it in an earlier post.)

This latest one is the same size as the others ~ 12 x 17 cm ~ a little bigger than a postcard. It also follows the same ideas of being uncertain about the future, that my art is changing without a clear idea of where I will be. There is also the theme of emerging/disappearing, covered/uncovered and impermanence.

You can see that I have torn up a watercolour of my favourite melaleuca trees. When I painted it I was experimenting with creating forests. This was one of the early attempts, that didn’t quite work.

I worked quite hard on this embroidery. For some reason it didn’t flow, especially the top part, the red couched threads. I think it got there in the end. I am not really happy with the the tree on the right ~ or more specifically the band of rust/yellow stitching that runs across it. It is too dense for the paper, too definite. I couldn’t unpick it, because of course the needle holes would still be there. The best I could do was distract the eye with more stitching, without making the same mistake of the stitching being too dense.

What I do like, and this was unplanned, is the notion that the top part is a little like the tree canopy and the bottom grasses and undergrowth.

I am part of a group of stitchers who share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen

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AnneLawsonArt In My Studio My art work SAL

SAL

I have been enjoying working on a series of works, using the same sort of stitching. This is one I am working on. I am sure the stitching will look very familiar.

Let me explain about the scraps of paper. (If you read my newsletter, you will know about this. Click here if you would like to sign up.)

My art practice has moved away from more botanic art influences, so I am rethinking my connection to those past works. At the same time I am wondering what I will be creating when I emerge from this strange time. This work in progress, and the others below, have come out of those thoughts.

I took a watercolour painting of a limpet shell and tore it up. Rather extreme, but I have also been thinking about the impermanence of things, how unfamiliar and unsettled our lives are. I selected some of the fragments and stitched them down. The couched threads go under and over the paper ~ emerging, disappearing. To create the texture I am using an open, quite random herringbone stitch.

These are the other two I have finished. One is a torn eggplant drawing. The other is another watercolour limpet shell, in blue tones. In this one I also added some material scraps ~ you can see them on the left, behind the paper fragments. They are small, so are quick to work on. At the moment it is important to not overwhelm myself.

I am part of a group of stitchers that share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.

AvisClaireGunCaroleSueConstanzeChristinaKathyMargaretCindyHeidiJackieSunnyHayleyMeganDeborahMary MargaretReneeCarmelaSharonDaisyAnneConnieAJJennyLauraCathieLindaHelen