My collage paintings

Firstly, big virtual hugs and kisses to you all, for letting me know that you are thinking of me. You make blogging and connecting a joy. I am doing well, with only a little stiffness, and my energy levels are okay. I have even been making lists, a sure sign that I am getting back to normal.

Secondly, my art work.

I can’t remember what I have told you, so let’s go back a little.

I did an online course with Tara Axford during our first lockdown last year, maybe in April? One of the many things I learnt and loved was collaging. The loving part was a very nice surprise. In our second Melbourne lockdown we could only leave home for 4 reasons; one was exercise within a 5km radius. I spent a lot of time down at my local urban wetlands and the reeds and reflections fascinated me.

Collaging and wetlands came together.

Then I found out I had been accepted to have an exhibition at the Old Auction House in Kyneton. How exciting it that! August is still a way off, but it seems to be approaching at a rather quick pace. I am building up a body of collages to exhibit.

So far I have worked on two series.

The first is of the wetlands. Some are abstract reinterpretations.

Some are more realistic.

Then I decided to switch my focus to rock pools.

Over Christmas I was lucky enough to spend time at my sister’s beach house at Somers. Somers beach has the most amazing rock pools, with colours that took my breath away. And just happened to be the colours I have been using. How could I not be smitten by something like this?

Most of the time I can tell whether the collage has worked or not. There is something that makes me smile and feel satisfied. I don’t get that feeling from the rock pools I have done so far.

The last one is the only one that resonates. For me the first two are neither realistic nor abstract enough, neither one nor the other. I would love to know what you think.

I am not giving up on the rock pools. I need to loosen up, to let go of the detail until the last; not try to recreate them as they are, instead let the paint and shapes tell me what to do.

As for the painting, all of these have been ‘painted’ with an old credit card, which I use to scrape the paint across the paper. There is little control, but wonderful effects. Then I cut out the shapes that I see in the paint. Simple and works for me!

Time for an update

Last time I wrote I was settling back into Stage 3 lockdown. Unfortunately case numbers in Melbourne are not flattening, and there is talk about going into Stage 4. That will be a new world, because things weren’t that strict last time around. However, we have to get the numbers down.

And really, for me, it doesn’t make a lot of difference. I am only making brief forays into shops for food and often a walk up the street for take away coffee. I can get food delivered, and can forgo the coffee 😩. I have a backyard that needs lots of work and plenty in the house to keep me out of mischief. My heart goes out to the others who are not in my position, and unfortunately there are so many of them at the moment.

Also I wrote about the public housing towers. Residents in eight of the nine towers are now at Stage 3 ~ able to go out for food, exercise, work and care. However one tower had to be kept in strict quarantine as it was deemed that residents were either positive or a close contact of those who were. They are, apparently well supported. I am not sure what level of care is being taken in other towers around Melbourne.

But enough of the virus!


The other day I received three delightful treats in my letter box. The first was a card from my Mum, who lives on the other side of town. We often write to each other. Then there were two lovely protea flowers. I must have a secret admirer, as I have no idea who they were from.

The third was even more special. It was a parcel from Catherine in New Zealand. She blogs at Random Thoughts from a Non-Warped Mind and Catherine: the Maker. She constantly amazes me with the things she makes, and this parcel was full of joyful creations.

A treasure trove of goodies from Catherine

You can see the range of goodies ~ cards, notebooks, fabric squares, knitted delights, hand embroidered pieces, papers embellished and printed. How blessed am I? And blown away by her generosity, and talent.


It is a while since I have told you anything of my art, aside from my Stitch-A-Long sewing. I have been better at keeping my newsletter readers more up-to-date; if you want to be in the know you can sign up for my vaguely fortnightly newsletter. There will be a new one in the next day or two, where I will be writing in more detail about tearing paper.

While it took me a while to get going, lately I have been busy with arty things, especially any thing to do with paper:

Gelli plate printing

Collaging

Folding paper

And now tearing and sewing paper (More on this in my newsletter.)

It is good to have a place to escape into, isn’t it?


As you can tell from the fancy dropped capital letters and the little separating dots, I have been playing with the new WordPress editor. I only have one whinge. In the old system I could upload photos straight from Google photos. Now I have to download them into iPhotos and then upload them. Am I missing the magic button that will save me a few steps? Any ideas?

Some Odds and Sods

A few bits and bobs, odds and sods for you today.

I was procrastinating about the second square for my sister’s grandson’s quilt. I got some excellent ideas from many of you. Thank you for your helpful suggestions and ideas; in the end I went with a stylised car.

Can you tell that I had a little trouble appliquéing smooth curves? I wouldn’t want to travel too far with those wheels!


If you read my fortnightly newsletter (and the next one is due this weekend, sign up here if you would like to know more about my art) you will know that I have two collages accepted into an exhibition at our council gallery. It is a community based exhibition, designed to celebrate the opening of the gallery.

My two works are abstract representations of the wetlands that I have become fascinated with over the last few months. You may remember my post about it.

Both are so different to the fine, detailed realistic work of my previous botanic art. However, I have been moving in this direction over the last few years.

The paper for the reeds was created by smearing acrylic paint around on photocopy paper, mainly using an old credit card. Then I cut around the shapes that look to me like reeds. The papers for the sky and water were printed with my gelli plate.

If, by chance, you are around Moonee Ponds at any time soon, drop in. The exhibition opens next Tuesday, 23rd June at:

The Incinerator Gallery

Holmes Rd

Moonee Ponds

You may wonder about why it is called the Incinerator Gallery. Check out their website to find out more, including opening hours and social distancing measures.


The other news is that we sold out caravan the other day. If you have been reading my blog for a few years you might remember some of the trips the Fella and I did in our little Avan. The last big trip was the dash over the Nullabor Plain to Western Australia. Unfortunately it is a few years since we went travelling, and when we did it was obvious that it was becoming more and more difficult for the Fella.

We had tossed around the idea of selling it. However, whenever we thought about it, the problems associated with getting it ready were too much. The big issue was that it is difficult to park it in our suburban street and we have no off-street parking. To get it ready for sale would mean having outside our place for an indefinite period, irritating the neighbours, the school over the road and the parking inspectors. It was easier to leave it out the back of our friend’s large country block.

Then we got a phone call out of the blue. The buyer, John, is a friend of the friend in the country. He had seen the van, understood that maybe it needed a new battery, regassing of the air-conditioning, new seals etc, but offered to buy it without even going inside. An offer too good to refuse! It got better when he was happy to do all the paperwork and clean it out.

So now our little van is off on different adventures.

Will I miss it? I miss the idea of being able to take off. There were still lots of places left to explore, and I never did get to travel up to the Kimberleys. However, I know that currently it is not realistic. So I am glad there is one less thing to sort out, one less little niggle to be dealt with.

What will I miss? I will miss the chance to immerse myself in different habitats, being able to wander; but you don’t need a van to be able to do that. I will miss the quiet and stillness, especially in the evenings. The Fella always goes to bed way before I do, so evenings in the van were a time to read, sketch, journal, catch-up with myself, to listen to the night sounds.

Camped at Moody Bluff Rest Area, Nullarbor Plain, New Year’s Eve, 2016 (Photo copyright: Anne Lawson, 2016)

And lastly, a photo of the framed collage I dropped to the Incinerator Gallery. It is being guarded by a snake, created by my talented brother. His iso-art has been to create mosaic snakes!

You and me

Lots of things have been bubbling away in my mind lately. You know some of my creative thoughts, but  also I have been pondering about the rhythm of my blog ~ what I want to post and how often. I think I have come up with a sustainable rhythm. It involves posting twice a week, with posts that I am describing as Me posts and You posts.

My Me posts will be the story of my life, mainly my creative life ~ the sorts of things that I have been rambling on about for the last five or so years! They will probably be published on the weekend.

The You posts will be ones that I think you will find interesting ~ links to other blogs, stories of others’ creative lives, quirky stories, environmental news. I have lots of ideas, but let me know if there is anything you would be interested in reading.

So today is my first official You post…..

Botanical art traditionally has been created with watercolours, but sometimes I come across an artist who achieves wonderfully detailed works using different media. Mary Delany is such an artist.

Mary Granville Delany (1700-1788) bloomed in her 70s, when she embarked on her life’s work—creating 985 life-size, three-dimensional, scientifically-correct botanical prints now held by the British Museum.

Her art work is created by cutting and gluing paper. Her life was quite remarkable, as you can read in parts 1 and 2 from laterbloomer.com

Mary Delany’s life Part 1

Mary Delany’s life Part 2

Enjoy!