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Beckler's Botanical Bounty Plants Travels

A story to tell from the Australian Arid Lands Botanical Gardens

Before we went south to the Coorong and the Great Ocean Road I made the Fella we went to Port Augusta. For a couple of years I had wanted to visit the Australian Arid Lands Botanical Garden there. To be completely open I wanted to see if they had any of the Cullen genus growing. Unfortunately not, but there were other things to see, and I found a plant that I certainly had not expected.

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I was walking around I heard a rustle in the bushes. I envy you if you live in a place where, when hearing a rustle in the bushes, you don’t automatically think “SNAKE!”. I jumped and panicked because I was not wearing sensible, anti-snake clothes. Then, bravely walking on, giving wide berth to the rustling bush, I looked and saw….this magnificent fellow.

Sand goanna (Photo copyright: Anne Lawson, 2014)
Sand goanna (Photo copyright: Anne Lawson, 2014)

I don’t think he is a Showy Daisy Bush, despite the label he is sitting next to! Instead he is a Sand Goanna, Varanus gouldii. 

A little further on I found this bush, and this where my story about this plant begins.

Spiny daisy Acanthocladium dockeri (Photo copyright: Anne Lawson, 2014)
Spiny daisy Acanthocladium dockeri (Photo copyright: Anne Lawson, 2014)
Spiny daisy Acanthocladium dockeri (Photo copyright: Anne Lawson, 2014)

The plant is the Spiny Daisy, Acanthocladium dockeri. Not much to look at, and I wouldn’t have given more than a passing glance if I hadn’t read the sign that began

First collected 1860 by the Burke and Wills expedition in South-Western New South Wales.

My immediate thought was “Beckler!” Those of you who have been following my blog for a while will go “Ah, Beckler”. Those of you who are newer will go “Huh? Beckler?” So I have to explain. If you know who I am talking about, skip over this part.

As the sign says, in 1860 the Burke and Wills Expedition travelled through south-west NSW on their way to transverse Australia from south to north. The whole saga is fascinating and click here if you want to read more, but the Spiny Everlasting Daisy and I are staying in the south west, at Menindee. It was here that part of the Expedition, including Dr Hermann Beckler, stayed for a number of months. Beckler was fascinated by Australian plants and collected about 120 plants in the area during the enforced stay. These specimens were sent to his colleague, Ferdinand Von Mueller, who had established the Herbarium in Melbourne.

Fast forward 150 years…a group of botanical artists, including me, have a project, Beckler’s Botanical Bounty, to locate, identify, collect (with permission) and then paint these 120 plants. In fact a couple of weeks earlier I had been in Menindee for our annual collection and painting trip.

So, when I saw the sign I knew that this had to have been one of the plants on Beckler’s list. One that we needed to paint. Even that would have been exciting, but it was even better. I will let you read the rest of the sign.

Spiny daisy Acanthocladium dockeri (Photo copyright: Anne Lawson, 2014)
Spiny daisy Acanthocladium dockeri (Photo copyright: Anne Lawson, 2014

Oh wow! Believed to be extinct, but 4 sites were discovered in South Australia!! I did some detective work, thanks to the internet. This is from the Australian Government’s  Species Profile and Threats Database

The Spiny Everlasting was first recorded in NSW near the Darling River by Dr H Beckler during the Burke and Wills expedition in 1860. The species was not recorded again until 1910, when herbarium specimens were collected at Overland Corner on the Murray River in South Australia. By 1992 the Spiny Everlasting was believed to be extinct, as extensive searches in its general known localities failed to locate it (Davies 1992).

In 1999, a population of Spiny Everlasting was discovered near Laura, in the mid-north of South Australia; a further four populations have since been located in the region, with the latest population discovered in January 2007.

So yes, it was on Beckler’s list. Even more importantly, it is not extinct. Hanging on by the wispiest of roots, but still there, enhancing our world. It is still critically endangered, especially from these threats outlined in the Species Profile and Threats Database:

  • Habitat Fragmentation, Population Isolation and Low Genetic Variability
    The grassland habitat in which Spiny Everlasting occurs has been heavily fragmented and selectively cleared for agriculture in the Southern Lofty Ranges [South Australia] (Davies 1982, 2000), with the result that all remaining subpopulations are isolated from each other. The five known subpopulations represent five quite distinct genetic clones (Jusaitis & Adams 2005, Jusaitis 2007).
  • Pollen Viability and Seedling Recruitment
    Trials have found low levels of seed set as a result of low pollen viability. In the field, plants have only been observed reproducing vegetatively by suckering from roots and shoots. In the laboratory, seedlings have only been successfully raised by tissue culture, indicating low seedling vigour (Jusaitis & Adams 2005; Robertson 2002a). …….Lack of successful sexual reproduction threatens Spiny Everlasting in the longer term, as it prevents maintenance of genetic diversity through recombination.
  • Herbivory by Snails 
    The introduced common White or Vineyard Snail Cernuella virgata has a dramatic impact on individuals of Spiny Everlasting during the wetter months. Trials have shown that the snails actively graze on both stems and leaves of the plant during winter and spring (Jusaitis, cited in Robertson 2002a). This removes the outer tissue layers, resulting in weakening or ringbarking of the stems, death of leaves and often death of complete shoots above the site of injury. Plants may resprout below, or occasionally above, the injury (Robertson 2002a). These snails have been in the Laura district for only about 10 years and their impact may be increasing. They are found at the sites of all Spiny Everlasting subpopulations (Robertson 2002a, b, c, d, e). If snail numbers continue to increase, their impact is likely to become increasingly severe, making the subpopulations more vulnerable to other factors.
  • Grazing of Habitat by Vertebrates
    The Spiny Everlasting has apparently become extinct along the Murray and Darling Rivers. Davies (1992) and Robertson (2002a) hypothesise that one contributing factor was degradation of its former habitats by rabbits and sheep grazing.

There is a plan in place, including five translocation sites that have been established for education awareness in public gardens. These are at the Laura Parklands, the Arid Lands Botanic Gardens in Port Augusta, Hart Field Day Site, the Mid-North Plant Diversity Nursery in Blyth, and the Australian National Botanic Gardens in Canberra.

Another three translocations have been established to provide back-up for the natural extant subpopulations.

The Beckler’s Botanical Bounty Project will not be able to collect any specimens of the Spiny Everlasting Daisy, but perhaps we will be able to go to one of the translocation sites and paint this amazing plant. That would be another great story to add to Project.

There is another personal layer to this too. After we left Port Augusta we camped for a few nights at Melrose, at the foot of Mt Remarkable. Somewhere close to Melrose is one of the sites where the daisy was rediscovered. We had coffee in the Laura bakery. I was that close to seeing it in the wild, but I didn’t know until I had passed on by. I am not sure that I would have gone looking for it. A species that is critically endangered needs to be treasured and supported, not tramped over. I am just happy that it is still in our world.

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Plants Travels

The southern Flinders Ranges

After we left our magical overnight camping ground, and our lovely new neighbours (and all the flies!), we spent some nights in Rawnsley Park Station. We stayed there two years ago, and this link will tell you more about the history of the station. It is a great place to stop.

We did some walks around the hills. One took in the views of the Elder Range, to the south of Wilpena Pound. As a botanical artist I love looking at the flowers and plants that are growing, (that’s why you never take a botanic artist on a walk if you are in a hurry!), so I was fascinated to see these fields of plants. They seemed to be some sort of salvia, but I couldn’t find them in my reference books. I loved the way they carpeted the area, and set off the view to the ranges.

Perhaps “carpet” is a relative term! For an arid, rocky area, this is quite a carpet. This photo shows you the sort of soil they have to grow in. By the way, that is white lichen on the rock.

(Photo copyright: Anne Lawson, 2014)
(Photo copyright: Anne Lawson, 2014)

Like all these arid areas they come into their own in the morning and evening, when the light is soft. There are often spectacular sunrises and sun sets. I will leave you with photos of some, so you can see why places like this get into your soul.

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Botanic Art Plants Travels

What a good season for Cullens!

As you know, I have an interest, maybe even a passion for, a genus of plants called Cullens. The species I have painted grow in outback New South Wales, where the rainfall can be very variable. Like all semi-arid plants they are very opportunistic when it comes to water. I am not sure what the rainfall has been this year, but it must have suited the Cullens, because they are at their showy best.

I mentioned in the last post how Cullen australasicum grows on the side of the road. C. discolor is not as showy, but grows determinedly along the ground. Small plants were growing in lots of places.

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But the most amazing were the C. pallidum plants.

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These lush bushes were growing at the boat launching ramp at Sunset Strip, a little cluster of houses at one end of Lake Menindee. There is very little water in the lake this year, so there is no way that boats could be launched. The sandy beach extends way out, and it is in this sand that C. pallidum loves to grow. It is flourishing here, with more little ones on the way.

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The boat launching ramp at Sunset Strip

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The lack of water was quite a shock. I have not seen it so low. According to the locals the water has been taken out for use further down stream, some say for wetlands in South Australia.
Those of you outside of Australia may not know that the question of water in the Murray/Darling Basin, the main water system in Australia, and one that crosses through four of our States, is a very vexed one. It is used for irrigation and other agricultural purposes, as well as water for many towns and cities, and, often at the bottom of the list, wetland preservation. There have been many attempts to work out equatable usage, but I fear that there is just too little and that a drop of water can only be stretched so far. Is our environment having to pay the price for our unsustainable practises?

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Beckler's Botanical Bounty My art work Plants Travels

Plants to paint

The Beckler’s Botanical Bounty Group have just spent a wonderful week in the Civic Hall in Menindee. We pile our tables full of microscopes and paint brushes and papers and plant specimens kept in all sorts of unusual containers. Take away coffee cups make excellent plant holders, but one artist had an old glass clag jar to stand her specimen in.

I have two plants that I am looking forward to painting. One is an upright species of the Cullen genus, Cullen australasicum I found it growing on the Menindee/Broken Hill Road, just past the Copi Hollow turn off. When I say “on the road” I mean right in the crack of the road between the bitumen and the verge, with parts of it flopping onto the road! It must love the runoff from the camber of the road.

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Here is a closer look at my showy plant.

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My other plant is far less of a drama queen. It is Pimelea trichostachya. It has a stem that grows straight from the sandy soil and then branches. Each of the new stems has a fluffy head instead of petals as we usually think a flower has. It is quite a sweetie.

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And a close up, in the take away coffee cup 🙂

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I have drawn both plants onto tracing paper, done colour swatches and taken lots of photos. So when I get back to Melbourne I should be ready to get the paintings underway.

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Beckler's Botanical Bounty My art work Plants

Cullen, Australian wildflowers

Quite a few of you looked at my post about finishing my Cullen pallidum painting. 🙂 One of you had found the link to my earlier post about the Cullen flowers. I thought it would be worth reposting it, as the Cullen flowers are not widely known.

anne54's avatarAnne Lawson Art

Now that you have had a chance to get up to date with the Beckler’s Botanical Bounty Project…..[What, you don’t know what I am talking about? Have a look in the Beckler’s Botanical Bounty category to the right of this page]……I am going to introduce you to the group of flowers that I am painting.

They are Cullens.

Everyone knows Banksias and Grevillias, and many of us have them growing in our gardens. But whenever I say that I am painting Cullens people have a polite but blank look. There are 4 species of Cullen on Beckler’s list. [Hermann Beckler collected plants while in Menindee on the Burke and Wills Expedition. It is his list of 120 plants that we are trying to replicate.] So, let me show you my beauties.

The first is Cullen discolor. This is the species that I have been painting. I will show you…

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Beckler's Botanical Bounty My art work Plants

Cullen, Australian wildflowers

Now that you have had a chance to get up to date with the Beckler’s Botanical Bounty Project…..[What, you don’t know what I am talking about? Have a look in the Beckler’s Botanical Bounty category to the right of this page]……I am going to introduce you to the group of flowers that I am painting.

They are Cullens.

Everyone knows Banksias and Grevillias, and many of us have them growing in our gardens. But whenever I say that I am painting Cullens people have a polite but blank look. There are 4 species of Cullen on Beckler’s list. [Hermann Beckler collected plants while in Menindee on the Burke and Wills Expedition. It is his list of 120 plants that we are trying to replicate.] So, let me show you my beauties.

The first is Cullen discolor. This is the species that I have been painting. I will show you what I have been up to in later posts. C. discolor is very prostrate, growing out from a central point. [Botanical practice writes the Latin names in italics, capitalises the genus name, in this case Cullen, and allows it to be abbreviated after the first mention.]

C. discolor (Photo copyright: Anne Lawson 2011)
C. discolor (Photo copyright: Anne Lawson 2011)
C. discolor  (Photo copyright: Anne Lawson 2011)
C. discolor (Photo copyright: Anne Lawson 2011)
Close up of C. discolor (Photo copyright: Anne Lawson 2011)
Close up of C. discolor (Photo copyright: Anne Lawson 2011)

The next, Cullen australasicum was so difficult to find. Although it is an upright bush, I could not see it growing anywhere. Then, as it goes with these things, I saw bushes of them all along the Menindee/Broken Hill Road as we were leaving!

C. australasicum growing prolifically beside the road. (Photo copyright: Anne Lawson 2011)
C. australasicum growing prolifically beside the road. (Photo copyright: Anne Lawson 2011)
The flower of C. australasicum, from a specimen that someone else found for me. (Photo copyright: Anne Lawson 2011)
The flower of C. australasicum, from a specimen that someone else found for me. (Photo copyright: Anne Lawson 2011)

The third, Cullen pallidum, is probably the most showy and, while being no relation,  reminds people of a lavender.

Cullen pallidum growing by the side of the road in Kinchega National Park. (Photo copyright: Anne Lawson 2011)
Cullen pallidum growing by the side of the road in Kinchega National Park. (Photo copyright: Anne Lawson 2011)
The large, showy flowers of C. pallidum. (Photo copyright: Anne Lawson 2011)
The soft, showy flowers of C. pallidum. (Photo copyright: Anne Lawson 2011)

You have probably noticed a couple of defining characteristics of this genus. Firstly, the flower places it in the pea family, Fabaceae. You can see those distinctive ‘wings’ and ‘keels’ that pea flowers have. However, they don’t have pods like eating peas do. You can see how the seeds are still in their furry individual pods.

Secondly you will have noticed the leaves. Cullens have 3 leaflets (trifoliate), two lateral ones and the third that is a little distant from them. The leaflets have definite veins, which give the leaves a lovely folded look ~ wonderful to paint! They are also quite textured. This is protection from the harsh inland Australian sun.

While I had trouble finding these species, they are not rare in the area around Menindee, NSW. It is more a matter of knowing where to look, or plain luck 🙂 and some seasons are better than others. In 2011 I saw many, large plants of C. pallidum but they haven’t been so prolific in later years. However, Cullens in Victoria are now rare, with many species endangered.

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Beckler's Botanical Bounty Botanic Art My art work Plants

Starting to paint my painting — or practising for the practice piece!

I am going to create a watercolour painting of my plant from Menindee, Cullen discolor. I have already written about identifying it, and the Beckler’s Botanical Bounty Project that I am involved in.

 

Cullen discolor growing at Menindee. It loves the sandy red soils.
Cullen discolor growing at Menindee. It loves the sandy red soils.
A small section of the stem that I will eventually paint.
A small section of the stem that I will eventually paint.

Now to show you some of the process.

I am still a developing watercolour artist, and feel much more comfortable with pencil than a paint brush. I have begun with a practice piece, as I have to work my way through the colours and techniques that I will need for the final painting.

Actually, before that, I want to show you some detailed drawings of parts of C. discolor. These were from the live specimens I had when working in Menindee. I wanted to get as much visual information as possible while I still had the living plant.

Drawings from my sketch book
Drawings of C. discolor, from my sketch book

I needed to match the colours as accurately as possible while I had the specimen before me. I made various mixes and recorded the paints I had used. You can also see some of my notes and reminders.

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Then I began the practice piece. Actually, it was the practice practice piece. As I was painting it I had a crisis of confidence, as I had forgotten how to paint with watercolour washes and do dry brush work. All I could remember were the faults with my technique, especially rushing to the detail too quickly and too much water.

After I had calmed myself down, I went back to basics. That’s the bigger leaf in this painting. I went bigger, slower and thought about what I was doing with each stroke. That helped me to understand how I needed to approach the work. And helped me realise that I could do this after all!

The practice practice painting.
The practice practice painting.

Thank heavens it was not the final, large work on the good (read expensive) paper! Finally I felt ready to begin the real practice painting.

The practice painting -- still to be finished, but almost there.
The practice painting — still to be finished, but almost there.

I still have to finish this painting. Obviously the stems need to be painted in. The leaves need more work, which involves a lot more dry brush work. And they need highlights added to their edges. However, I am happy I have captured the texture of the leaves. (Remember, part of the identification for C. discolor is that the leaves are tomentose to hispid —  rough, with hairs between stiff and soft/matted.) As well, I think I understand how to paint the furriness of the inflorescences. But the proof is in the pudding, as they say! Stay tuned for progress reports.

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Botanic Art My art work Plants

Plant identification #2

Correct plant identification is not only important to make sure it is on Beckler’s plant list. 

Botanic art can be defined as ‘making science visible’. Its fundamental purpose is to help both scientists and lay people identify plants. Botanic art is not a still life painting of roses in a vase. It is an accurate painting that clearly shows the parts of a plant which allow the identification of that plant. So, a botanic painting of a rose would include details such as the shape, colour, form, leaves and probably hips — the aspects that allow it to be identified as a particular variety or species.

However, there is the artistic aspect and it is important. The artist makes the decisions on the medium to use, the composition of the painting, the focal point, the size and so on. The painting allows the personality of the artist to come through.

Cullen discolor

I don’t profess to be a top class botanic artist, and my painting skills are still developing. However, I am part of Beckler’s Botanical Bounty Project, which, in turn, is part of the tradition of botany in Australia. My painting needs to be accurate.

To be able to make my painting of Cullen discolor as accurate as possible I need to understand ‘tomentose to hispid’. My painting should show a surface that is between matted soft hairs and rough firm hairs. Whether it does is up to my painting skill. I need to know that the petioles are between 2 and 7 cms long so that my drawing doesn’t make them too long or too short. And so on.

My notes

As well, it is interesting to know that C. discolor grows in sandy soils, flowers September to January and is endangered in Victoria. Not many people know what C. discolor looks like. Nor do they know C. pallidum or C. cinereum. They are unlikely to look at my paintings and say “That’s not right”. However I will know and I want it to be as correct as my skills will let me. And it may just be used as an identification tool sometime in the future.

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Botanic Art My art work Plants

Plant identification

“Is it on the List?”

Hermann Beckler collected 120 different species of plants around Menindee. It is that list that the Beckler Botanical Bounty Project is using. So correct identification is very important!

The type of habitat where we were searching for our plants

I am a gardener, not a botanist. I find it hard to hold the Latin names in my head. I have no idea of many of the botanical plant terms. So identifying plants was a huge learning curve for me — and I am still only a little way on that curve!

We have been so lucky to have had the support of a botanist whose work takes him regularly to Kinchega National Park.  As you walk with him he points to plants and says, “That’s a so and so (fill in Latin plant name here), that’s a such and such (add different Latin name). That one over there is on Beckler’s list, this one isn’t.” So he was able to help sort plants in the field. That was a massive help.

Looking for the right plants

However much we would have liked it, he couldn’t always be with us. And sometimes he was unsure. So then it was back to the reference books.

I am working on plants from the genus Cullen. This year I was working on a species Cullen discolor. But I had to be sure that my identification was correct.

Cullen discolor

It is described as ‘a perennial herb with stems prostrate to 1.5 metres’. Okay, I get those terms. Then the description said ‘tomentose to hispid’. These I discover are descriptions of hairiness. Its leaves are pinnately 3 foliate, narrow to broad, lanceolate to elliptic and less pubescent on the upper surface. The margins are toothed. There are petioles and stipules, peduncles and calyxes — and I never got to dissect the flower, which has more specialised terminology!

Reference material

So, having nutted my way through the key, and gone to botanical dictionaries and other more knowledgeable people, I am confident that this is Cullen discolor.

“Perennial herb with stems prostrate to 1.5 metres.”

At least I knew that this Cullen was ‘on the list’. Some artists went through the identification process, only to find it was one that Beckler hadn’t collected. Then it was out into the bush again to repeat the process.

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Plants Travels

East to Menindee

I want to leave the Flinders Ranges now and head almost due east for about 500 km, to Menindee. It is a small town, about an hour south-east of Broken Hill, on the Darling River and right on the edge of the Menindee Lakes system and Kinchega National Park. It is big sky country — it is so flat that the sky arches from horizon to horizon. And it is red dirt country, semi-arid. So, why there?

Well, it is fascinating. The lakes and the river attract birds from far away. The habitats away from the water are full of secret treasures — plants, insects, reptiles. (Fortunately I didn’t see any snakes, but I know they are there.) Secret because driving past in the car it all looks like boring saltbush. But stop and investigate and a world opens up.

Once you start to explore you can see the diversity, and begin to appreciate how plants can survive in such harsh environments.

But also because it is an area that features in the Burke and Wills story. For Australians those names are legendary. For others I will explain in the next few posts who they were and why their story sent me and other botanical artists to Menindee. For now, enjoy some of the beauty of Copi Hollow, and the caravan park where we stayed.

We saw this view of the lake, Copi Hollow, every time we went outside the caravan.
Looking back to the caravan park, evening light
The beautiful evening light