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Beckler's Botanical Bounty Botanic Art Plants

Back in Menindee

Beckler’s Botanical Bounty Project is happening again in Menindee, outback New South Wales. This is my seventh time up here, so many of you are familiar with the story. But just in case you don’t know, here is the short version. (For the longer version you can jump to our website Beckler’s Botanical Bounty. Sorry, can’t do a hyperlink.)

In 1860 the Bourke and Wills Expedition set up their supply camp in Menindee, a small town on the Darling River. The Expedition was to be the first crossing of the continent from Melbourne in the south to north at the Gulf of Carpentaria. While Bourke and three others made it there, the Expedition was a disaster.

However, our project is connected to Hermann Beckler, the doctor on the Expedition. He remained in Menindee, where he had resigned in furious disagreement with Bourke. Beckler was fascinated by Australian plants and collected widely in the area. His friendship with Ferdinand Mueller at the Melbourne Botanical Gardens meant that the specimens collected by Beckler became part of the collection in the Herbarium.

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The Darling River (copyright: AnneLawson 2018)

Fast forward 150 years to 2010, when the Project began as a celebration of the 150 anniversary of the Expedition. We have been collecting the same species Beckler collected, and then painting these plants.

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My Cullen paintings at our Beckler exhibition in Ballarat earlier this year.

There were 120 plants on Beckler’s List. This year we have only 38 more to find!

However, I doubt that we will find any plants to collect and paint this year. (Warning: from here on in I am writing about the effects of drought, and I am feeling angry about the state of affairs.)

The drought has been on the news lately, mainly showing politicians in Akubra hats pontinficating about their ‘generosity’ with belated funding. Up here it hits you in the face.

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It is so dry, unbelievably dry. It’s an environment that always looks ragged, but we have always found things growing, often carpets of daisies, things twining through the salt bushes or flashes of colour on the sandy banks.

This year there is so little; no annuals at all. No daisies, not even the fried eggs one that has been so common. No pimeleas dancing in the breeze. No Cullens, the plants I have been painting, not even Cullen discolor a prostrate version and has been growing abundantly on the golf course in past years. (I have found one plant, growing in the nature strip in town!) Not even very much onion weed, that has always grown everywhere.

Even the perennials are stressed. Much of the saltbush looks dead. I say “looks” because a local has told us that with the first rains it will grow again from the centre. But to see a bare landscape, with even the saltbush dead or struggling is heartbreaking.

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The mighty river red gums are holding their own down on the banks of the Darling River, but the leaf and bark litter and fallen limbs tell of their stress. Beneath them are Swainsonia greyana ready to burst into purple flower and is the only species that looks to be flourishing. The sennas are holding their own too, providing a burst of yellow in a sere landscape.

There is no moisture in the soil, and there are no roots of the annuals to bind it. So the soil just flies away. The Fella and I drove into Broken Hill on the day of high wind, and we could see the dust storm carrying away the soil.

And it’s not Summer yet.

It is distressing. I admire the resilience and courage of those that live here, building communities and lives.

I know that drought has been a part of the Australian landscape. I find a glimmer of reassurance knowing that the native plants are adapted to these periods of drought. However, I also know that we humans are affecting the climate and that we must reduce our CO2 emissions. Instead we have a government that refuses to set any emission targets, preferring coal over green energy. Some on the government benches refuse to acknowledge that climate change is influenced by human action.

Last month we changed prime ministers, not through a general vote and not over policy, but because some members thought Malcolm Turnbull would loose seats in the next election. These Climate Change Deniers have that sort of influence.

Meanwhile our environment, and the people living in it are suffering.

I know that the plants here have evolved with drought, and when the next rains come there will be a blossoming of life. It’s important to know. But climate change is putting unnecessary stresses on them, and it is that that we must do something about. And that requires serious, concerted political action, and that is what we are not getting.

I was going to leave you with a sunrise photo, help you understand the beauty of this place, but internet connection is so frustrating. (This post has taken nearly a day to write.) I will post more when I get home next week, and show you more than the drought.

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How does my garden grow? Odds and Ends Plants

Pesky possums*

* Warning: alliteration ahead!

Pesky possums have been a part of life in Melbourne for as long as I can remember. I grew up in a house next to a park, so we always had possums playing. They loved to chase each other around the roof, sounding like marauding hordes. Then there is the unholy scream they make, enough to chill your bones.

I well remember one time when we were woken by our dog, Galahad barking on the front verandah. We had long ago dropped the “Sir” from his name, as he did not live up to his gentle, ethereal namesake. So image our surprise to find that a baby possum had ousted Galahad from the door mat and was keeping this big dog at bay. I felt sorry for this wee, frightened creature and went to pick it up. My reward was a bite on my finger, and later a tetanus injection that hurt more than the bite! From memory the possum scampered off, and probably grew up to be one of the marauding hordes on the roof.

Then I moved to my own house and I would listen smugly to gardening shows where there were inevitably complaints about possums.

“The possums have eaten all my rosebuds. What can I do?”

“The possums eat the rind off the lemons and leave the fruit to rot. What can I do?”

“The possums…..” “The possums….”

I say smugly because I didn’t have pesky possums. My roses and lemon tree had many other problems, but not possum problems. However, the Gardening Gods do not like smug gardeners…….and you know where I am going with this……..

Yep, I have possums, pesky possums.

My pesky possums are not pilfering the roses or the lemons (and that is not smugness ~ just give them time!). No they are plundering the vine.  And this is a problem because it is one of our main forms of summer cooling.

You may remember me talking about the vine before. We have ceiling fans rather than air conditioning, and rely on the vine to cover and shade the eastern side of the house. It’s been a great system as the morning sun doesn’t get a chance to beat into the house. But now the possums have come to play, and they just love to nibble the new shoots of the vine down to little nubs.

The weather has been hot this November ~ 36º today. We seem to have gone straight from the cold of Winter to the heat of Summer, without Spring in between. We are missing the covering of the vine.

So, I am trying to out-fox the pesky possums. Surely with some human ingenuity and the rampant growth of the vine I can get the tendrils up the wires. My thoughts are that if I can overwhelm the possums with young shoots some of them will sneak past and take hold. Armed with a ball of string and a rake I have been tying and training, trying to keep the young shoots away from places where the possums can reach out to take a nibble.

This is the state of the vine:

If you look hard you can see the string amongst the tangle of tendrils.

At the moment I think it is nil all, but it’s only half-time! And a long hot Summer ahead of us. I will let you know the final score!

Other gardening news….

It is time for the jacarandas to flower. Again I have written about them before.

I have had a delightful volunteer in the front garden, in among the onions!

A red poppy was a delightful surprise, and I wonder where she came from.

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How does my garden grow? Plants

Autumn

Autumn may be my favourite season but it’s like picking a favourite book. However, I do love Autumn. I love how it encourages us to wind down from the heat of summer, to enjoy the rain and the chilly nights, to see the world changing.

It is also a good time to garden. The weather is neither too hot nor too cold, and there is enough rain to encourage you to believe that the plants will settle in okay. The soil still has some Summer warmth, and our Winters are mild enough to let plants burble along until the burst of Spring.

I cleaned out the summer vegetables, and prepared the soil for a winter crop. This was mainly compost and warm castings.

 

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Cabbages and brussel sprouts, with onions in the background. Over by the fence is the currant bush.

Now the cabbages are starting to look like cabbages. I spent time yesterday rubbing the eggs of the cabbage moth from the back of the leaves.

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We chopped back the rosemary bush and offered sprigs to the neighbourhood.

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The spring onions, pak choi and spinach are all holding their own.

The seeds for the pak choi and spinach were a gift from Hanna and Al, to thank us for coming to their wedding. If you know Hanna you will not be surprised to hear that these little tags were all hand-created by her, with some input from Al, I am sure!

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The silver beet (chard) is begining to flourish now that it has come out from under the beans. (Who knew there was any way to slow down the growth of silver beet?!)

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Work has gone on in the very neglected back yard. For a few years now it has been left to its own devices, it is time to wrench back a bit of control. I have been planting beside the fence…..a grevillia (Robyn Gordon) and a little eremophilia vernicosa. This is described as a delightful small shrub with pink flowers in spring, drought tolerant and good for heavy soils. What more could I ask for?

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The tiny leaves of the eremophila

Also planted is a ground cover, Helichrysum argyrophyllum. It has lovely everlasting daisies from early Summer to Autumn. Behind it is a small tea tree, Leptospermum scoparium. It sounds quite spectacular with pink flowers that cascade from Spring to Autumn, with narrow leaves that provide a dramatic backdrop. (Well, that’s what the label says!)

 

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Next to them are two roses, ‘Red intuition’ and a white Iceberg. The Iceberg is very special as it was grown from a cutting for me by my sister

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There is more work to do in the back. I have a big bush to remove and more plants to plant. They won’t get in the ground now, so will have to wait until the soil warms up in Spring.

I want to leave my Autumn theme with a little poem, or a blessing. It is by one of Australia’s unique treasures, Michael Leunig, from his little book “When I talk to you”:

Autumn

We give thanks for the harvest of the heart’s work;

Seeds of faith planted with faith;

Love nurtured by love;

Courage strengthened by courage;

We give thanks for the fruits of the struggling soul,

The bitter and the sweet;

For that which has grown in adversity

And for that which has flourished in warmth and grace;

For the radiance of the spirit in autumn

And for that which must now fade and die’

We are blessed and give thanks.

Amen

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Beckler's Botanical Bounty Odds and Ends Plants Texture Travels

Travel theme: Earth

Thanks to Ailsa at Where’s my backpack? for this theme, which is in celebration of Earth Day. Hopefully we will be able to encourage our politicians to have policies that support our Earth too.

It is tempting to publish beautiful photos of sunsets or mountains or glorious landscapes. I want to show you one of my favourite parts of the Earth, the area around Menindee. It is an arid area of Western New South Wales, an hour away from Broken Hill. It is flat and looks uninspiring. However, the more you look, the more beauty you see in this unique landscape.

Big skies…..

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red dirt…..

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and amazing colours.

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What part of our Earth do you cherish?

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AnneLawsonArt My art work Plants Texture Travels

The Nullarbor and trees.

It was at my artist in residency at Mountain Seas on Flinders Island that inspired me to focus on trees. Not just any tree, but melaleucas. I love their canopies, the way the top  parts catch the light while the underneath is in deep shade. I love the shape of them ~ flat areas and crevasses. But I also love their trunks and branches, which twist and bend. When they are massed together there is a rhythm to the shapes.

I am obsessed by these trees. I try to move on, but I keep coming back, either to try them in a new way or perfect what I have been doing. I have used pencil

I have painted with watercolour

I have worked them in yarn. This was probably the least satisfactory way of creating them, but it did lead me onto creating embroidered landscapes.

They all flowed from the Flinders Island experience, where I saw the melaleucas massed together. The trip across the Nullarbor has fuelled my obsession in a different way. The trees there are not melaleucas and, while there are hundreds of square kilometres of them, they are individual trees. I am not sure what species they actually are, and at the moment, that is unimportant to me. Like the melaleucas it is the shape of the canopy and the sculptural branches and trunks that make my creative heart sing.

Maybe you look at these photos and think “Nice pictures, but iI don’t quite get the obsession”. I love them partly because they dovetailed so nicely with the melaleucas, so similar, and yet they shimmered in the wind. Partly because I had to wonder about the evolutionary process. What advantage is there to have such spindly branches? (Bendy branches help in the wind, I guessed, and maybe thinner trunks help move water more efficiently. Any thoughts?) But largely because when you are travelling a thousand kilometres (and another thousand back) staring out the window, you do get a bit obsessed by what you are looking at. I found I was trying to capture the individual trees in my mind.

So, the trees sat there for a couple of weeks and a couple of thousand kilometres. It wasn’t until I came home that I realised two things had come together ~ the trees and a set of oil pastels that were a Christmas present in Western Australia. And this is what is coming out…

The oil pastels allow me to smudge and blend and get carried away with colour combinations. I can layer colours over each other and drag pastels through areas. Then the trunks and branches have the delicacy of the ink. That’s like doodling! Mostly I use black ink pens, but I have been experimenting with different coloured inks. (I show some of my experimentation on  my Instagram feed, AnneLawson54.)

Some close up photos so you can see how the oil pastel creates luscious textures and combinations of colour.

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Image and photo copyright: Anne Lawson 2017
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Image and photo copyright: Anne Lawson 2017

So far they are all either A5 or A4 size, but I am planning bigger ones. They are so satisfying, and such a contrast to the detailed work in my botanic art paintings!

Most of the paintings are available in my Etsy shop AnneLawsonArt. There are details of each if you are interested in finding out more. Some of the other drawings I have shown you in this post are there too. However you don’t have to buy through Etsy if you don’t want to. You can email me at annebags@optusnet.com.au and we can sort things out.

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AnneLawsonArt Beckler's Botanical Bounty Botanic Art My art work Plants

It’s such a pretty plant

There were ten artists at Menindee this year, and we were able to find nine plants from Beckler’s list. (Not sure what I am talking about? Have a look in the category Beckler’s Botanical Bounty on the side bar. Sorry, but putting in links is a little too tricky on the iPad.) Fortunately one artist was happy to redo a plant that she painted a few years ago as this year’s specimen was much greener than the dried one she did originally. 

Finding nine plants is pretty good, as we are close to the end of the list. As well, we were without the botanist who has been invaluable in past years. Added to that, the season had been so wet and cold. 

My plant is Senna artemisioides subspecies filifolia. I wasn’t sure what subspecies meant, but found this information handy. It comes from Philip Moore’s “A guide to plants of Inland Australia” 

Some of the common Australian cassias [sennas] occur in large and very variable integrating populations called hybrid swarms which are maintained by asexual as well as sexual reproduction. Because of their complexity, they cannot be satisfactorily separated into species. Recent revisions have ….. reduced a number of variants which were formally regarded as distinct species to subspecies of two widespread species…

Sennas are very common through arid areas, and indeed when I see them in the Mallee country up the Calder Hwy I know that I am starting to get away from the everyday. They are a small bush with bright yellow flowers, like a buttercup. The flowers cover the bush, so they seem to be a moving mass of yellow beside the road.


Identifying my senna was a little tricky. The key identifying feature is that the petiole and pinnae are terete. The first step is to work out what that precise botanical language is saying in words I can understand! Terete is sort of like a cylinder, the petiole is the part that joins the leaf to the stem and the pinnae are like little leaves. The photo below is of the other subspecies, the one I am not painting. Can you see the flat parts of the leaves? That tells me it is not mine.


This photo is of mine


Not a lot of difference!

Once I had identified it, I collected some pressings to add to the collection for the herbarium. As well I took cuttings of the parts I wanted to paint. Then it was back to the hall in Menindee to begin my drawing. I have mentioned before that I dew onto tracing paper rather than the good watercolour paper. You always make mistakes, and rubbing ruins the surface of the good paper. After I have finished the drawing on the tracing paper I transfer it to the good.

It was a very complicated drawing, and took me two days to finish. Quite a few of the pinnae come forward and have to be drawn in a foreshortened way. They were hard! But I think I have captured it well. The plant seems to dance, and I want to make sure that comes through in the painting. I am hoping the fine leaves will make the painting easier! The photo below is of the drawing in progress. The photo above shows the whole specimen.

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Beckler's Botanical Bounty Botanic Art Plants Travels

Collecting our plants in Menindee

One of the delights of the Beckler’s Botanical Bounty Project is going out into the field to find our plants. The habitat here, in the arid areas of outback New South Wales, always looks so desolate. Driving along in the car all you see are salt bushes, Sennas and sometimes the white bobbing heads of daisies. 


As soon as you step a few metres away from the car you see a different world. Tucked away are little plants. Some are pretty like the blue wahlenbergias, some are stunning like the patches of Sturt Desert Pea. There can be swathes of purple swainsonia or poached egg daisies. 


There are many that you wouldn’t look twice at, or think they may be weeds, only to find out that they are little treasures. Believe it or not, this little one, nestled in the takeaway coffee cup, is actually a daisy.


So looking takes time. We wander around, with our heads down, admiring, wondering and identifying.


Then we take samples so that we can identifying the plants correctly in the hall. (We have permission to collect, and we collect according to strict herbarium guidelines, including only taking 10% of the population in the local environ.)

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Artists Botanic Art Melbourne Odds and Ends Plants

Botanic illustration and flower painting

Jan McDonald, the Rare Books Librarian at the State Library of Victoria, uses two books from the collection to show the difference between botanic illustration and flower painting.

One book contains depictions of Australian plants collected by scientific illustrator Austrian Ferdinand Bauer. The other, by the decorative French painter of flowers Pierre-Joseph Redouté, captures the blooms growing in Josephine Bonaparte’s garden at Malmaison

And exploration of Australia played a key part in the creation of both books. Enjoy!

Jan McDonald on botanical books

[BTW can anyone ~ Meeks? 🙂 ~ remind me how to embed a video? I can’t seem to do it at the moment 😦 ]

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Plants Texture Travels

Trees, glorious trees

Only a short post today, because I want you to scoot over to EllaDee’s blog to read her story, “I asked my neighbour about its life…”, a beautiful fable about tree spirits in urban areas. It is a delight to read.

It got me thinking about the beautiful trees, mainly River Red Gums, that grow along the banks of our big rivers. They are so big and gnarled that and, as you walk beneath them, you can’t help but wonder about all the things they have seen — Aboriginal gatherings, European explorers, lizards and snakes living below, birds building nests and possums in the hollows. They have weathered floods and droughts, and one can only hope that they can withstand the terrible pressures of climate change.

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Beckler's Botanical Bounty Botanic Art My art work Plants Travels

The end of the week in Menindee

Our week of botanical art was over in a flash.

To bring yourself up to speed on the project I am involved with look at my Beckler’s Botanical Bounty Project category.

The first step was to find the plants on Beckler’s original list. (Please remember that we collect plants with permits. It is illegal to remove plants without it. We also collect according to strict herbarium guidelines, which say that only 10% of a plant population may be collected.)

Out in the field (Photo copyright: Anne Lawson, 2015)
Out in the field (Photo copyright: Anne Lawson, 2015)

Then the plant needed to be identified. We are so lucky to have Andrew, a botanist who is very familiar with the plants in Kinchega National Park. Without him we would still be floundering around!

We use a written key to help identification and often a microscopic is necessary. To give you an example for my plant one of the distinguishing features was that the pod protruded a specific number of millimetres from the calyx (the green sheath that surrounds the flower). This was much easier to measure under the microscope.

Identifying plants (Photo copyright: Anne Lawson, 2015)
Identifying plants (Photo copyright: Anne Lawson, 2015)

This year I was looking for the fourth species in a genus. I have found and painted the other three, but this one Cullen cinereum had been elusive. But, oh happy days, this year there was a good size colony growing out on the dry bed of Lake Pamamaroo.

Fortunately there were lots of plants and I was able to collect my 10%. We collect four specimens which we press. One goes to the National Herbarium of Victoria, because that is where Becker’s original collection is held. One goes to the NSW Herbarium, because we are collecting in NSW. The third is for our project’s reference collection and the fourth is the plant we actually draw.

The next step in the process varies from artist to artist. Many of the others do beautiful microscopic drawings, dissections showing male and female parts, cross-sections of seed capsules and so on. I find that very hard to do, so have to find other ways to tell the plant’s story.

I did a detailed drawing of the C. cinereum on tracing paper. Tracing paper is smoother than paper and the surface doesn’t mark when I rub out. It also allows me to transfer the drawing to the good paper more easily. Then I do a tonal drawing on another piece of tracing paper, over the top of the line drawing. This gives me a good reference when I get home. No matter how good the photos are, they are never quite the same as what you see. I don’t have any close ups of those drawings but I can show them to you when I get home.

My desk, showing the line drawing on tracing paper (Photo copyright: Anne Lawson, 2015)
My desk, showing the line drawing on tracing paper (Photo copyright: Anne Lawson, 2015)

The last step for me was to do the colour charts. Then it was Friday, the last day in the Hall; it was time to press my plant and clean up, hoping that I have enough reference material to work on at home!