I have been enjoying working on a series of works, using the same sort of stitching. This is one I am working on. I am sure the stitching will look very familiar.
Let me explain about the scraps of paper. (If you read my newsletter, you will know about this. Click here if you would like to sign up.)
My art practice has moved away from more botanic art influences, so I am rethinking my connection to those past works. At the same time I am wondering what I will be creating when I emerge from this strange time. This work in progress, and the others below, have come out of those thoughts.
I took a watercolour painting of a limpet shell and tore it up. Rather extreme, but I have also been thinking about the impermanence of things, how unfamiliar and unsettled our lives are. I selected some of the fragments and stitched them down. The couched threads go under and over the paper ~ emerging, disappearing. To create the texture I am using an open, quite random herringbone stitch.
These are the other two I have finished. One is a torn eggplant drawing. The other is another watercolour limpet shell, in blue tones. In this one I also added some material scraps ~ you can see them on the left, behind the paper fragments. They are small, so are quick to work on. At the moment it is important to not overwhelm myself.
I am part of a group of stitchers that share their personal stitching work every three weeks. Go and have a look at the wonderful work that is being done all around the world. Everyone is doing something very different, but always interesting.
Avis, Claire, Gun, Carole, Sue, Constanze, Christina, Kathy, Margaret, Cindy, Heidi, Jackie, Sunny, Hayley, Megan, Deborah, Mary Margaret, Renee, Carmela, Sharon, Daisy, Anne, Connie, AJ, Jenny, Laura, Cathie, Linda, Helen