The organisation for our Beckler’s Botanical Bounty Exhibition is underway. There are diverse tasks we have to do, but, as you can imagine, one of the most important is selecting the paintings to hang in the Exhibition. To find out more about the Project on my blog click here, or go to the website for more detailed information.
[A reminder that our exhibition will be held at Ballarat Art Gallery in February 2018.]
It was always understood that that each artist would have at least one painting selected. From there on it is up to the team and the curatorial staff at the Gallery to decide which paintings best tell the story of our Project. I am offering up five for selection. I will add a link if I have blogged about the creating the painting.
Four paintings are all in the same genus, Cullen. There are more plants in the genus, but these four are common to the area, depending on the season, and were collected by Beckler. I have written about the genus here. My ability to paint Cullens developed as I went along. So, if I had time I would repaint the first, Cullen discolor. However, it belongs in the set. You might like to have a closer look at the painting in this post.
The next year I found Cullen pallidum, the bushiest of the four, and with a soft grey leaf. It is probably the most attractive of the genus, but I have a very soft spot for the humble C. discolor. It seems that I only have a post about the finished work, and not about the progress.
The next to be found was Cullen australasicum, which turned out to be flourishing right on the edge of the Broken Hill Menindee Road. This one’s a real show off! I am sorry, but I have no posts about this painting.
The last, Cullen cinereum, is still a work in progress, but I hope to finish it in the next week. The spot where I found it last year is under water this year, so how lucky was that? This link will take you to the back story of my painting.
Lastly there is Senna artemisioides subspecies filifolia that I collected this year. [Read the post about it here.] It is definitely a work in progress. I included it for selection because another artist has painted the other Senna that was on Beckler’s list, and I thought the selection panel might like to have a pair of Sennas in the exhibition.
So, whether these are selected or not is now in the hands of the selection team. I don’t envy them the job, because all the paintings that have been painted have a connection to the Project, and all of them deserve to be in the Exhibition. Many artists have created superb works, often with beautiful, detailed microscopic drawings alongside the plant portraits.
I will leave you with a few closeups of my Cullens.